Paul Bogle is one of Jamaica's National Hero. He leads a rebellion in 1865.He was eventually caught and was hanged on a cotton tree behind the courthouse. Hence the title 96degrees in the shade that is from a Third World (band) album.
Led Zeppelin III is the third studio album by the English rock band Led Zeppelin, released on 5 October 1970. It was recorded in three locations. Much of the work was done at Headley Grange, a country house, using the Rolling Stones Mobile Studio. Additional sessions were held in more traditional recording studios, such as Island Studios and Olympic Studios in London. As with the prior album, the band eschewed the use of guest musicians, with all music performed by band members Robert Plant (vocals), Jimmy Page (guitars), John Paul Jones (bass, keyboards), and John Bonham (drums). The range of instruments played by the band was greatly enhanced on this album, with Jones especially emerging as a talented multi-instrumentalist, playing a wide range of keyboard and stringed instruments, including various synthesizers, mandolin and double bass, in addition to his usual bass guitar. As with prior albums, Page served as producer on the album, with mixing done by Andy Johns and Terry Manning.
Third World, 96 Degrees In The Shade Full Album Zip
The album showed a progression from straightforward rock towards folk and acoustic music. While hard rock influences were still present, such as on "Immigrant Song", acoustic-based songs such as "Gallows Pole" and "That's the Way" showed Led Zeppelin were capable of playing different styles successfully. The band wrote most of the material themselves, but as with prior records, included two songs that were re-interpretations of earlier works: "Gallows Pole", based on a traditional English folk song, by way of American singer Fred Gerlach; and "Hats Off to (Roy) Harper", a reworking of a blues song by Bukka White. The acoustic material developed from a songwriting session between Plant and Page at Bron-Yr-Aur cottage in Wales, which influenced the musical direction.
Led Zeppelin III marked a change in focus for the band, from late 1960s hard rock to a psychedelic folk and acoustic sound.[13] These styles had been present to a lesser degree on the band's first two releases, such as "Babe I'm Gonna Leave You" and "Ramble On", from the first and second albums, respectively. However, on this album, the group used more acoustic arrangements, and they would remain prominent to various degrees in the group's later releases.[14] With Led Zeppelin III, the group's songwriting dynamic also changed, from Page's domination of the first two albums towards a more democratic situation in which all four group members contributed their own compositions and ideas.[2] Plant wrote all of the lyrics, with the exception of "Tangerine".[15]
Led Zeppelin III was one of the most anticipated albums of 1970, and advance orders in the US alone were close to the million mark. The volvelle-designed sleeve held up production and caused a two-month delay.[13] In the run-up to release, the group bought a full page advertisement in Melody Maker magazine at the end of September, which simply said, "Thank you for making us the world's number one band."[13] The album was released in the US on 5 October, then in the UK on 23 October. It immediately topped the British charts.[45]
Although the band's expanding musical boundaries were greeted warmly by some, detractors attacked the heavier tracks as being mindless noise. In a review for Rolling Stone, critic Lester Bangs praised "That's the Way" as "beautiful and genuinely moving", while characterising the band's heavier songs as crude and little differentiated from each other.[46] Others criticised the acoustic material for imitating the music of Crosby, Stills, Nash & Young, which Page disputed, as the group had featured that style on their previous albums.[7][47] Page has also said that the negative press given to the third album affected him so much that he did not give press interviews for 18 months after its release, adding that the criticism was one of the reasons why the following album contained no written information on it at all.[5] He later came to believe that journalists had little time to listen to the material and were simply looking for "the new 'Whole Lotta Love'" instead of appreciating the material on its own merits.[48]
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